Joe’s Special Box Luxury Edition – Volume 35

Joden Girl

Baubles, Bling and A Collector’s Things

Today, we find ourselves in the days between Christmas and the new year.  The gifts have been given, there’s holiday debris at every turn and no one knows what day it is.  The holiday haze is real.  Pajamas are worn all day long, cookies are consumed with no regard for calorie content or stomach upset, and everyone is piled up on the couch binge-watching everything from Fuller House to Stranger Things.  In a dazed state of confusion, we will stumble through the five days between the Christmas extravaganza and the all-night New Year’s Eve celebration.  On December 31st, we will resume drinking, dancing and playing games, all the while deluding ourselves into believing that we can still recover like we did in our twenties.  

People have been celebrating the transition to a new year for more than 4000 years.  Victorians leaned heavily onto superstition and social rituals that would ensure good luck and prosperity in the new year.  First-footing, an ancient custom that centered on the first person to cross the threshold after midnight, was favored in every household.  Both the physical appearance of the guest and what gifts they brought would dictate the fortune or perhaps misfortune of the days and months to come.  A dark-haired man with a bit of salt and a dram of whiskey was much preferred to a lady with ginger locks.  The ringing of bells was another popular practice – this was often done while attending lavish parties.  Women donned their finest gowns… each one more elaborate than the last while gentlemen sported formal tailcoats with vests and bow ties.  

Symbolic jewelry completed the look.  Nature themes (flowers, leaves, ivy and acorns) that predicted growth and transformation were favored choices.  This stunning bracelet from the 1870’s would have been a winner on many levels.  Comprised of four identical links, this 18-karat and 22-karat yellow gold bracelet is a true showstopper.  Forming the background of each large link is a navette-shaped piece of natural tortoiseshell.  Mottled brown and auburn hues allow light to pass through, enhancing the piece.  A curved golden plate creates a frame around each piece of shell with a small vine decorating each corner.  Centered on the exposed tortoiseshell is a wreath of roses, each petal and leaf made in dimensional detail by hand.  Separating each large link are four tall, narrow components.  Each of these segments also feature a leafy vine with a singular rose blossom in the center.  Bursting with botanical beauty, this bracelet is truly worthy of Joe’s Special Box; it’s available for $8,150.00.  May the new year bring you peace, prosperity and happiness.

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

  

A Victorian Vision

Joden Girl

Baubles, Bling and Inspired Things

In another time, ladies dressed for day to day life.  Layers upon layers were required to complete the vision… drawers, stockings, corsets, chemises and petticoats were the undergarments of every Victorian lady.  Those were topped with fanciful gowns with full skirts, empire waists and elaborate necklines.  Puffed sleeves, ruffles, lace and embroidery added detail and personality to these already ornamental dresses.  Before going out, additional adornments were necessary… a bonnet, gloves and a parasol.  Low-heeled boots and jewelry finished the look.  Most women required the assistance of another person to simply get dressed.  It’s hard to believe how much life has changed in just 150 years.  

Recently, we acquired this unusual portrait bracelet.  Measuring just over an inch in width, this bracelet features six lovely ladies.  The links are square in shape with a round frame in the center to highlight each portrait.  Hints of the finery these ladies are laden with are visible in each link… a high collar, the wide brim of a hat, even a silken cap sleeve.  Victorian portraits were hand-painted on a wafer thin piece of ivory.  Every curled tendril of hair, the blush pink on the cheek and the twinkle in those eyes have been perfectly depicted.  My favorite detail of all is the jewelry – each lady shines with actual gemstones in her hair, around her neck, and in her ears.  This small element adds so much charm!

The ornate frame that surrounds each portrait is a lovely confection of 18-karat yellow gold.  High relief goldwork highlights hand-pierced and engraved designs.  Upon turning the bracelet over, another detail is revealed.  The back of each portrait has been engraved.  Curiously, each letter is perfectly formed and precise, definitely not done by hand.  These engravings are modern and not original to the piece.  From left to right, they read “Damana in Verde, Studio del Fragonnard, Madame Recamier, Madame Korsakov, Dama XVIII Sec, and Duchessa di Devonshire”.  I can’t help but wonder who added these words and why.  Sadly, it’s a mystery that will never be solved.  

For today, we will have to be content with admiring these Victorian beauties and dreaming about all the places they may have been going in their fabulous finery.  Although I’m enchanted with the dress and lifestyle of the 19th century, I can’t help but be relieved to from a modern era!  Unusually unique and crafted in the late 1880’s, this bracelet is priced at $6,600.00.  Stop by our showroom to see it for yourself.

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

What’s New – Volume 95

Joden Girl

Baubles, Bling and the Latest Things

On a scale of my most to least favorite types of jewelry, bracelets come in near or at the bottom.  I like to look at them, and I want to wear them – but somehow, they end up laying in a puddle on my desk before I’ve finished my first cup of tea.  

I used to think it was because I have a small wrist.  I wear a six-inch bracelet as opposed to the standard seven-inch length.  But, with an in-house bench jeweler – I could easily have a bracelet adjusted to fit.  I also discovered that there are a lot of custom-sized (both shorter and longer) bracelets in antique jewelry.  So, it would seem that the wrist size was just a cop out.  In my heart of hearts, I’m really a ring and earring girl.

Recently, we acquired a really lovely piece that has me giving bracelets a second look.  Made entirely of 18-karat, this beauty was made in the late 1800’s, near the turn of the century.  There are seventeen individual links…  nine of them feature two interlocking whiplash lines with a small cornflower blue sapphire set in the center.  Each bright blue gem is set within a smooth-edged bezel – combined these nine stones have a total weight of .75 carat.  

Alternating with those links are eight small floral blossoms.  Three-dimensional and lifelike, each tiny flower has five petals.  Marking the center of each one is a small natural pearl.  It’s a Victorian vibe with hints of Art Nouveau – a truly glorious combination.  It measures a generous 7.5 inches with a cleverly hidden clasp.  For a smaller size wrist, it could be adjusted.  Super sweet and in superb condition, this bracelet is on our site for just $2,350.00.  

At the end of the day, I’m still a ring and earring girl.  I can appreciate a great bracelet and might even take one for a spin now and again.  This beauty deserves full-time love and appreciation.  If you’re a true bracelet lover, hop on over to our site and make this one yours.  

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

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