Joe’s Special Box Luxury Edition – Volume 33

Joden Girl

Baubles, Bling and A Collector’s Things

After more than twenty years in the jewelry business, there aren’t a lot of pieces that truly inspire me.  There are endless pretty things, lots of interesting techniques and styles.  Our cases are positively overflowing with gems and jewels of every size, shape and color.  Each one is a bit different than the last… but, breath-taking?  Awe-inspiring?  That’s rare.

This year, three generations of Murawski men went to the Las Vegas Antique Jewelry & Watch Show.  Joe, Jay, and Nick spent two days searching every nook and cranny of each booth for the very best the show had to offer and found this epic beauty.  Made during the second half of the 19th century, this high-karat gold pendant is extraordinary.  Reviving ancient techniques like granulation, filigree and intricate goldwork, this masterpiece was made by the one and only John Brogden.  

Synonymous with innovation and unparalleled craftsmanship, Brogden’s work displayed not merely one technique, but rather endless combinations of meticulous detailing.  His efforts were often rewarded, including a prestigious gold medal at the 1867 Paris Exposition Universelle.  He was a legacy to the master jeweler trade – his family had been in the industry since the early 1700’s.  

This piece centers on an oval pink tourmaline that weighs approximately 4.00 carats.  Perfectly matched, a halo of twenty rose cut diamonds encircle the bright fuchsia gem.  A recessed frame envelops the gem-set center; it’s painstakingly embellished with a row of forty black enameled lines.  The Etruscan influence is shown in the half-circle crown at the top while Renaissance inspiration flows through the leafy garland that wreaths the lower portion.  

An unused hair receiver fills the back side, while a fan of five individual fringes sways beneath the “JB” signature.  The chain is period-appropriate and the tone of the 22-karat links perfectly matches the high-karat gold of the pendant, it is not original.  We hand-selected it from our own cache of antique chains in order to properly exhibit Brogden’s work. 

Rare and exceedingly beautiful, this pendant is wearable art.  It’s not overly formal, nor is it so pricey that you would be uncomfortable while wearing it.  John Brogden was a contemporary of both Castellani and Giuliano; the famed Mrs. Newman was his designer until his death in 1884 and learned the craft from Brogden himself.  Collectors and true connoisseurs seek out his works.  In fact, many of Brogden’s pieces are housed in the Victoria and Albert Museum.  Perhaps you’ve always wanted an important piece; this is your sign.   If you are as captivated by this antique showstopper as we are, it’s available for $14,250.00 – an investment worthy of any collector.

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

Past Is Present

Joden Girl

Baubles, Bling and Inspired Things

Oscar Wilde once said that imitation is the sincerest form of flattery.  For centuries, artisans and jewelers have proven the truth in those words.  Inspiration for these craftsman was often found not by envisioning something new but rather by looking into the creations of years gone by.  

When I found these earrings, I immediately identified them as Victorian.  All the earmarks were there, beginning with the oval amethyst center stones.  Amethyst was a very popular gemstone in the 1800’s, especially in soft pale lavender shades like this. 

Held in place by a seamless circle of twenty claws, these two genuine stones have a combined weight of approximately 6.00 carats.  A tiny golden rope decorates the base of each setting.  The overall look is softened with the addition of a halo of seed pearls.  These natural beauties are carefully strung and secured in place with a singular strand of metal wire.  Simply lovely.

When I flipped one of the earrings over and the crisp “14K” hallmark appeared, I changed my mind.  I knew these were not authentic Victorian earrings from the 1800’s.  Instead, they were made in the 1950’s.  Stamping the 14-karat gold hallmark on jewelry began in 1932, making it impossible for these little charmers to be truly Victorian.  They’re a revival…  a tradition that honors the style and technique of a previous period.  The Victorian era encompassed most of the 19th century and showcased some of the most iconic antique jewelry of all time, it’s easy to understand why jewelers in the 1950’s were compelled to re-create it. 

Revival jewelry is often more readily available and in better condition than the antique pieces they’ve been modeled after.  Additionally, age and condition are directly correlated to price…  so a pristine piece of Victorian jewelry could command quite a high price.  Because these revival earrings are only 70 years old and not 170 years old…  they’re quite reasonable.  Priced at just $725.00, they’re a great and affordable alternative to authentic antique earrings.  Call us at 800-747-7552 to make them yours today.

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

Do You Believe In Reincarnation?

Joden Girl

Baubles, Bling, and Recycled Things

Beauty has been defined and redefined in thousands of ways.  Jewelry is often the subject of those definitions.  Designers and style icons offer ideas of what is on trend for the season.  But, are they truly fresh, new ideas?  Or are styles simply reworked and brought back to life?  The vintage jewelry at Joden is a constant reminder that every style is a throwback.  A revival, if you will.

The bracelet pictured above is no exception.  Known as Etruscan Revival, the style of this piece is timeless.  Original Etruscan jewelry dates back to the 3rd and 4th centuries, however, this piece wasn’t crafted until the end of the 19th century, during the 1890’s.

I don’t know when we acquired this bracelet… but I know that I have clasped it around my wrist at least a dozen times.  I have admired the matte finish of the brassy yellow gold, expressed a secret smile over the small daisy-like flowers, and I have carefully run my fingernail over the tiny rows of beads that create the delicate design.

Etruscan Bangle  Etruscan Bangle Daisy Trim

Granulation is a form of gold work in which tiny beads of high karat gold are applied in geometric or linear patterns to a high karat gold surface.  It is utilized to perfection in this classic piece.  The natural warmth and richness of the metal speaks for itself, no gemstones or other ornamentation is needed.

This bracelet, a true antique, is on point with jewelry trends for this season.  It’s a statement bangle, no layering is required here.  It would be a truly spectacular addition to any wardrobe; perfect for a night out or able to be worn every day.  Come in and try it for yourself.

“You can go to a museum and look, or you can come to us and touch.”
Written by Carrie Martin

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