Joe’s Special Box – Volume 143

Joden Girl

Baubles, Bling, and A Collector’s Things

Folklore abounds in regard to the griffin (or gryphon).  Some legends describe this mythical creature to have the body, back legs and tail of a lion combined with the head, wings and front talons of an eagle.  There are some stories that claim that only female griffins have wings, while others purport that all of them are winged.  Others still claim that the griffin sports the tail of serpent, not a lion.  The one common thread is that the griffin is the guardian of treasure, using their fierce appearance and nature to scare away thieves.  

In the Victorian era, griffins were a symbol of great wealth, power, courage and prestige.  Usually sculpted from gold with a velvety patina, griffins were a popular theme, popping up in everything from stick pins and brooches to pendants and rings.   This particular one is a truly spectacular example.  

Sizable, this beauty tests as 18-karat gold.  With a serpent’s sinewy tail and prominent wings, surely this ferocious beast must be a female.  Every intricately detailed bit of her scaled body wraps artfully around a large round natural opal – the treasure that she is, indeed, protecting.  This 15.00 carat gem highlights beautiful color play with shades of cream, green and blue mixed with large expanses of matrix, which is the host rock where the opal formed.  Her intense green gaze was achieved by using a natural demantoid garnet that weighs just .02 carat.  Clutched in her jaws is an Old Mine Cut diamond that weighs .12 carat.  

Greek mythology tells us that griffins pulled Apollo’s (the god of the sun) chariot across the sky – it was the only flying creature strong enough to do it.  This unique gem is equally suited to a man’s or a lady’s lapel.  Pin it to yours for just $6,500.00.  

“You can go to a museum and look or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

Joe’s Special Box Luxury Edition – Volume 13

Joden Girl

Baubles, Bling and A Collector’s Things

If you have visited our showroom at 144 South Broad Street, you no doubt have perused one or more of the antique jewelry cases at the back of the store.  Each one is more enticing than the last, overflowing with Victorian and Art Deco treasures.  There is one case that stands out from all the others…  we affectionately refer to it as “the museum case”.  And while the case itself was most likely made in the 1950’s, each of the thirty-eight pieces contained inside are indeed museum quality.  Lovingly curated over the past three decades, our collection of the works of Carlo Giuliano most certainly rival any other.

Born in Italy in 1831, Giuliano emigrated to London in 1860.  He partnered with another well-known Italian jeweler, Castellani.  Inspired by archaeological jewelry, in the early days, his work was largely done in a revivalist style.  He retailed his wares through respected and established firms like C. F. Hancock and Robert Phillips.  By 1874, his reputation had grown and he was able to open a retail shop entirely his own at 115 Piccadilly.  Giuliano’s tiny establishment was filled with enameled jewels decorated with unusual gemstones.  His superb work stood out in stark contrast to other artists.  His meticulous attention to detail came to life in his Renaissance aesthetic and paired beautifully with Giuliano’s flair for contemporary wear-ability resulting in unparalleled creations.  

This locket is our most recent acquisition.  Purchased from our friends in London (who know Joe is an avid collector of Giuliano’s works); this near-mint condition pendant showcases the intricate patterns of enameling that Giuliano’s masterpieces are recognized for.  The stark white enamel complements the soft blue tones and provide an ideal background for countless microscopic deep-blue dots.  Executed in a medallion style with an eight-petaled blossom in the center, the design swirls out in graduating curls and whorls.  The border fully encapsulates the locket with a repeating fancy figure-eight-shape.  

Inside is a watercolor portrait miniature of Sir William Lawrence.  The aforementioned gentleman was quite well known…  a 1st Baronet FRCS FRS, an English surgeon, Fellow of the Royal Society, President of the Royal College of Surgeons of London and Sergeant-Surgeon to Queen Victoria.  She would later reward his illustrious career as a surgeon with a baronetcy shortly before his death.  

On the back side, encased beneath a glazed glass compartment is a lock of Sir William’s hair, complete with a small decorative wire to hold the golden curl in place.  Also, peep the little golden oval carefully soldered to the top of the frame.  It features the initials C. G. and is the hallmark for Carlo Giuliano.  As not all of his works were signed, this emblem is a significant find.  The entire pendant nestles into a deep purple velvet case that also bears the mark of Giuliano. 

For inquiring minds, this historical piece is for exhibition only.  We are honored to be the stewards of such a noteworthy jewel and were tickled to add it to our extensive collection.

“You can go to a museum and look, or you can come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

What’s New -Volume 86

Joden Girl

Baubles, Bling and the Latest Things

Emitting a deeply fragrant scent, perfumes have been widely used for thousands of years to mask the often unpleasant odors that accompany animals, food and of course, the human body.  Ancient civilizations utilized organic herbs, spices and flowers to distill hauntingly beautiful aromas that heightened the senses and stimulated the emotions.  Perfume is often described as a musical metaphor with top, middle and base notes.  The top notes give the first impression – mint, lavender and coriander are popular choices.  The middle notes compose the heart of the perfume and blend with the strong scent of the base notes – think jasmine and sandalwood.  Finally, the base notes bring depth to the fragrance and take time to develop – amber and musk are good examples.  In the proper hands, a symphony erupts.

 

Such a powerful potion deserves an equally decadent decanter, like this necklace.  Thirty-two inches of 18-karat yellow gold links featuring brightly colored enamel that culminates with an elegant bottle – this is no ordinary vial of perfume.  Two distinct techniques combine to create this turn of the century charmer. 

 

Shown in close proximity, repoussé and champlevé sing in perfect harmony.  Repoussé is a style of metalwork in which the gold is hammered into lovely patterns from the reverse side.  The elongated hollow links have intricate floral swirls…  between each of them is a stretch of flat relief.  With a center flower and petaled edges, the muti-color enamel shines.  The surface of the rich, buttery gold has been cut away to form a channel or recess.  Bold black, red, white, blue and green enamel fills each cavity and brings the design to life. 

Finally a shapely urn dangles from the chain.  The arched handles curve into the top of the tiny flask.  Mimicking the floral vibe of the chain, this bottle shines with botanical beauty.  As the 19th century ended and the 20th began, the Victorian era gave way to the artistry of Art Nouveau and stunning creations like this were the result of those years.  Although the aroma has long since faded, the charm of this antique necklace remains – make it yours for $6,500.00.  

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

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