Blurred Lines

Joden Girl

Baubles, Bling and Cryptic Things

Victorian, Edwardian or somewhere in between?  While there have been years assigned to each era, it’s not always possible to look at the artifacts and relics and pin a precise period upon each one.  More often than not, the lines are blurred…  and the styles blend together in the most beautiful ways.  

Once a brooch, this conversion necklace is made from a combination of 14 karat yellow gold and silver.  The warm tone of the gold forms the base of the piece although it is only visible from the back.  From the front, the look is monochromatic.  A light patina is the only detectable hint of darkness.  The unique blending of metals is characteristic of both Victorian and Edwardian.  In the 1800’s, the feature was created by layering silver over gold – but by the very early 20th century, the introduction of platinum both elevated and refined the concept.  

Generally speaking, silver-topped gold indicates Victorian while platinum-topped gold most often suggests Edwardian – although it isn’t always black and white.  A lovely array of swirling lines intersect to create the frame.  Seven Old Mine Cut diamonds have been bezel set in the heart of the piece.  These stones have a combined weight of approximately 1.00 carat.  The lip of each collet (or bezel) features a precise row of tiny beads known as milgrain.  This detail would become a trademark of the Edwardian era.  

Decorating the vines are ten small leaf-like settings, each one containing a bright rose cut diamond.  Eighteen of these primitively faceted stones are sprinkled throughout the piece and offer an additional .18 carat of sparkle.  The most unusual detail of this design are the five briolette cut gems that dangle from the bottom edge.  Nearly colorless, these beauties could easily be mistaken for diamonds – however, they’re not.  The faint blue stones are actually aquamarines…  the birthstone for March!  

Delicately detailed from top to bottom, this pendant combines the best that the Victorian and Edwardian eras had to offer.  Priced at just $2,250.00 – this conversion necklace is new to the Joden site and simply too good to resist.  But you don’t have to take my word for it, check it out for yourself.

“You can go to a museum and look or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

What’s New – Volume 15

Joden Girl

Baubles, Bling, and The Latest Things

A visual treat for the eyes, this week’s find is an Edwardian lovers dream.  I hardly know where to look first; filled with amazing details, this pendant is everything.  I am drawn to it, like a honeybee to a flower.  

An intricate hexagonal honeycomb pattern fills the entire background of the softly scalloped circle pendant.  This hand-pierced pattern uses a soft yellow gold base topped with a layer of silver.  The upper portion features a rich patina that speaks to the age of the piece; it’s a true antique, over 100 years old. 

The rippled border is accented by tiny beaded edges, this technique (known as milgrain) is prevalent in Edwardian jewelry.  Twenty-four diamonds of both Old Mine and rose cut styles envelop the outside perimeter.  One Old European cut diamond that weighs approximately .35 carat is bezel set in the center.  Surrounding that diamond is a botanical garland of flowers and leaves.  Like the border, each of these elements are highlighted by milgrain edges and sparkling diamond trim.  There are sixty-one diamonds that have a combined weight of .85 carat.

Measuring 1.25 inches in diameter, this vintage find is the perfect size, offering physical presence as well as delicate and refined beauty.  Moderately priced at $4,350.00 – it’s a new find on our website.  Buzz on over and check it out for yourself.

“You can go to a museum and look, or you can come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

Pitter Patter Goes My Heart

Joden Girl

Baubles, Bling and Shapely Things

The years from 1820-1900 are known as the Romantic Era…  this time frame coincides with and almost completely overlaps the Victorian period (1837-1901).  The royal love story of Victoria and Albert is a well-known and beloved part of British history.  Their love influenced the theme and style of the jewelry that she wore as well as the jewelry worn by her subjects and the rest of the world.  

The jewelry of the era was rich with symbolism and sentimentality.  Recognized as the shape of love, the heart has been a favored emblem since the 13th century, however, this curvaceous silhouette reigned supreme during the Romantic Era.  This combination pendant/brooch from the mid-1860’s is no exception.

Not much larger than a quarter, this beauty was handmade from a 14 karat yellow gold base and a silver top.  It centers on one round opal that glows with turquoise blue and green fire.  The underlying structure forms a six-pointed star with a bright pink ruby at each tip.  These vibrant stones have a total weight of approximately 1.45 carats.  Nestled between each ruby is a superbly cut heart-shaped opal.  These six stones are alive with the same fire as the center.  Crowning each heart is a singular rose cut diamond while an additional eighteen rose-cuts encircle the middle and decorate the bail.  With a combined weight of 1.20 carats, these primitively cut diamonds sparkle and shine.  

Although superstition had shrouded opals for hundreds of years, Victoria was undeterred.  She shunned the rumors of bad luck that followed this fragile gem, collecting multiple opal pieces.  Her unwavering favor helped to eradicate the bad reputation of the opal and reestablished it’s former popularity.

The true brilliance of this piece goes beyond beauty…  it’s pure engineering genius.  Comprised of four distinct parts, it converts from a pendant to a brooch with ease.  Pictured here, you can see the threaded mechanism that connects the pin stem and the uniquely shaped bail that fastens to a hinged ring at the top of the jewel itself.

Every element performs faultlessly, even after more than 150 years.  Antique jewelry was often multipurpose, giving additional opportunities to enjoy each gem.  If you love Victorian jewelry, have a heart (or six) with this lovely piece for just $3,750.00.

“You can go to a museum and look, or come to us and touch.”

Written by Carrie Martin

Photos by Dana Jerpe

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